Print + Digital Reporting
Pizza has a proud history of fueling late-night lab work, and scientists in Naples—an Italian city famous for its slice—have easy access to some of the world's tastiest take-out. But what inspires engineer Bruno Siciliano is not just that first bite so much as how the dish is made.
“Preparing a pizza involves an extraordinary level of agility and dexterity,” says Siciliano, who directs a robotics research group at the University of Naples Federico II. Stretching a deformable object like a lump of dough requires a precise and gentle touch. It is one of the few things humans can handle, but robots cannot—yet.
Siciliano's team has been developing a robot nimble enough to whip up a pizza pie, from kneading dough to stretching it out, adding ingredients and sliding it into the oven. RoDyMan (short for Robotic Dynamic Manipulation) is a five-year project supported by a €2.5-million grant from the European Research Council.
The Tab. | Web Story. | February 14, 2017.
Being a woman in science isn’t easy. In most situations, you have to deal with everything that comes with being the only woman in the room. In Hidden Figures, a new film based on the true story of NASA’s female “computers”, Taraji P. Henson depicts this perfectly as legendary mathematician Katherine G. Johnson, who was awarded the Medal of Freedom in 2016 for her contributions to the space program.
Katherine G. Johnson’s calculations got us to the moon — but for many women studying and working in STEM (Science, Technology, Engineering, and Mathematics), race and gender can be a strong tether. Everyone brings their own assumptions to work. What’s difficult on the daily can be a range of unequal treatment, access, and bias, from micro-aggressions to sexual harassment.
This week, on February 11, the UN Headquarters in NYC hosted the International Day of Women and Girls in Science, with actions to reduce gender bias and increase opportunities, funding, and social support for women who study, research, and work in STEM.
Keystone Crossroads. | Web Story. | February 9, 2017.
Amazon plans to hire 100,000 workers in the next year and a half, with 2,500 of them in New Jersey.
While they are not minimum-wage jobs, the pace of work can be very demanding.
As a business, shipping is like real estate: Location is everything. That's why Amazon has eight fulfillment centers in Pennsylvania, seven in New Jersey, and two in Delaware to deliver to your door as quickly as possible. But John Carr, a spokesman for the International Association of Machinists and Aerospace Workers, said the "free" shipping from Amazon comes at a cost.
"Their performance standards are very, very high. When you meet one, they tend to ... raise that speed and standard of how many orders you can pick and pull and pack in a certain amount of time. And Amazon tracks that," Carr said. "I think a lot of these workers get hurt because of the pace that they have to maintain to meet the goals set by Amazon."
Machinists were behind at least one failed drive to unionize the warehouses. Company spokeswoman Lauren Lynch said Amazon gives warehouse workers the exact same benefits as other employees, including health insurance, retirement plans, paid parental leave, and company stock.
The stone monuments of Italy's Certosa di Bologna cemetery have stood for more than two centuries as symbols of peace and eternity. But even stone does not last forever. So Enrico Sassoni, a visiting postdoctoral research associate in Princeton's Department of Civil and Environmental Engineering, is working to protect the marble monuments and even make them stronger.
"In spite of being apparently very durable, marble is actually sensitive to several deterioration processes," Sassoni said. "Environmental temperature variations cause the opening of cracks inside marble, and rain causes dissolution of the carved surface."
With the help of an international team, the Princeton researchers have developed a low-cost and nontoxic treatment that might someday help art preservation and conservation specialists.
How? By applying a thin film of a calcium compound commonly found in bones and teeth. This calcium compound, called hydroxyapatite, is formed by the reaction of a water-based phosphate salt solution and calcite, the mineral that makes up marble. The solution seeps into and binds cracks in the marble's surface.
Princeton Alumni Weekly. | Web Story. | September 28, 2016.
Nancy Rappaport ’82 has devoted her entire career to medicine. A child psychiatrist and associate professor at Harvard Medical School, she’s worked in the Cambridge, Mass., public school system for over two decades. Rappaport says her specialty is “angry teenagers” — and something about her hearty laugh says she doesn’t usually have trouble keeping up.
In August 2015, she was diagnosed with early-stage breast cancer. With three children of her own — one currently in med school — the longtime runner (13 Boston Marathons and counting) says she was stopped in her tracks.
“That transition — going from a doctor to a patient — has really opened me up,” she says. “For me, it was early-stage breast cancer. For other people, it could be a mild heart attack, or a major depression. Those things are relatively common for doctors to manage, but still, it can feel like earth-shattering news.”
Princeton Alumni Weekly. | Web Story. | August 24, 2016.
Izzy Kasdin ’14 is a proud local. She knows the rhythms of the town and University: how the campus fills and empties each year, marked by a calendar of beginnings, breaks, Reunions, and departures. She grew up in Princeton.
At 14, Kasdin began volunteering as a docent with the Princeton Historical Society, a non-profit committed to sharing its own sense of the “local.” In January, the organization named Kasdin as its new executive director.
“It was a complete shock,” Kasdin remembers. She says although she didn’t formally apply to the position, her return to Princeton “makes perfect sense.”
It was the Historical Society, after all, that first introduced her to the field of museum curation and preservation. As a teen, her first task was to greet visitors at the door. Then, in 2008, the Historical Society organized an exhibition about political participation and activism. At the closing of the exhibit, Kasdin remembers taking the time to carefully pack up a women’s suffrage banner.
Princeton Alumni Weekly. | Web Story. | July 27, 2016.
Fifteen blocks. That’s how far Puerto Rican spoken word poet Ian Martinez ’01 walks every Wednesday, blasting his pump-up playlist through his headphones.
For Martinez, it’s not just a walk through Seattle. It’s a step away from his “white-collar job” at Microsoft, and a step towards the microphone on the intense-yet-intimate stage at Jai Thai on Broadway, home of the Rain City Poetry Slam.
Though he considers himself to be a “real newcomer and rookie,” Martinez is the current Grand Champion of the Rain City Poetry Slam. He earned that title by winning the Rain City slam’s finals in April, which attracted 250 people.
“Spoken word is a unique art form because it combines storytelling, traditional verse, and wordplay,” Martinez says. “Your energy has to match the room’s, and then take it up a notch. If you deliver, and the room gives you back the love you put into the poem, that’s the greatest feeling an artist can have.”
Princeton Alumni Weekly. | Web Story. | July 6, 2016.
Glenn H. Shepard Jr. ’87 has a lush and noisy backyard: Toucans squawk, parrots chatter, monkeys howl. He lives in the middle of the jungle. Settled in Belém, at the mouth of the Amazon, Shepard works as a full-time researcher and ethnology curator at the Goeldi Museum in Belém do Pará, Brazil.
Some might say Shepard lives in paradise. Yet as an ethnobotanist — a researcher interested in how cultures use plants, especially as medicine — Shepard’s work focuses on illness, pain, and stress. Every culture, he says, has found ways to heal.
Shepard is a medical anthropologist who has dedicated himself to the Matsigenka, an indigenous people who live in Manú National Park, an isolated natural wonder deep within the Peruvian rain forest. This June, Shepard’s work was featured in National Geographic: “This Park in Peru Is Nature ‘in Its Full Glory’—With Hunters,” by Emma Harris.
The Princeton Hidden Minority Council presented green graduation cords to 33 seniors during a ceremony May 15 for first-generation and low-income students. About 55 people attended the event in the Carl A. Fields Center. Speakers included council co-founders Brittney Watkins ’16 and Dallas Nan ’16 and management consultant Jeremy White ’96, who gave the keynote address.
About 600 people attended the Pan-African Graduation May 29 in Richardson Auditorium. Tennille Haynes, director of the Fields Center, said the event recognized students’ “hardships and their struggles. With sit-ins and protests, our students have been creative in finding ways to be heard.” Seniors Aisha Oxley and Kujegi Camara performed a spoken-word poem about learning to stand up for their identities as students of color.
The final scene of Stephanie Leotsakos ’16’s chamber opera, OMG, opens with a World War II veteran clasping an amulet to his heart, weeping about the memory of his mother, Anna. His daughter, Anna Francesca, walks into the room, distracted by her cellphone. Her Snapchats and emojis are projected onto the screen behind the stage; for a moment, the only music is the sound of screen swipes and texting. Then Anna looks up — and she sees her father crying. “OMG,” she sings, and drops her phone.
OMG, Leotsakos’ senior-thesis opera, premiered April 23 in Taplin Auditorium. The 51-minute production featured eight singers and 10 musicians. The story opens in A.D. 550 near the Church of San Vitale in Ravenna, Italy; over six scenes, it moves toward the present day.
“OMG is by far the most complex thing I have ever created,” said Leotsakos, who learned the violin at 3, the piano at 4, and the viola at 9. She started composing two years ago.
Philadelphia Business Journal. Web Story. May 23, 2016.
The Princeton Plasma Physics Laboratory (PPPL) just celebrated a milestone in its research on fusion energy. After nearly four years of round-the-clock work by 250 people, the PPPL completed a $94 million upgrade to its flagship fusion facility, the National Spherical Torus Experiment (NSTX-U).
Department of Energy Secretary Ernest Moniz donned a white hard hat to tour the NSTX-U's test cell facility and the 85-ton machine at the center.
The NSTX-U is a fusion energy experiment contained in a spherical tokamak reactor. This design is an apple-core shape that requires less energy than traditional tokamaks, which are bulkier (and often more expensive to operate).
Like the sun, the NSTX-U is powered by fusion.
Princeton Alumni Weekly. | Web Story. | May 11, 2016.
War, a new play directed by Lileana Blain-Cruz ’06 and written by Branden Jacobs-Jenkins ’06, premiered May 21 in New York at Lincoln Center’s Claire Tow Theater. It’s a story about family battles: Siblings Tate (Chris Myers) and Joanne’s (Rachel Nicks) relationship turns combative when their mother (Charlayne Woodard) has a stroke, and an inheritance is in limbo.
As director and playwright, Blain-Cruz and Jacobs-Jenkins are creative siblings, so to speak: They have supported one another for nearly a decade.
“Branden and I met as classmates,” says Blain-Cruz, a Yale M.F.A. grad who directed War’s world premiere at the Yale Repertory Theater last year. “We’ve each seen almost everything the other has done. And this play — a huge play about family and history — felt like the right piece for us to work on together.”
Princeton Alumni Weekly. | Web Story. | April 20, 2016.
This spring, Diana Weymar ’91, a textile artist and curator based in Victoria, British Columbia, returned to Princeton. A mother of four, she left the view from her studio desk — a Blue Heron nest, grazing deer, a salty waft settling in, blocks from the ocean — to be the Anne Reeves Artist-in-Residence at the Arts Council of Princeton.
Weymar’s collaborative sewing project, “Interwoven Stories,” seeks to stich the Princeton community together.
“This project asks participants to stitch a page — and some are spending months on it — to then contribute to the community,” Weymar says. This spring, she led sewing workshops and handed out nearly 230 blank “pages” at the Princeton Public Library.
“So often we make something of importance or value to us and then keep or sell it,” she continues. “It’s a risk for some, and second nature to others. Each person has a different reaction to the blank fabric page.”
Princeton Alumni Weekly. | Web Story. | March 30, 2016.
“Read me, it called then. It still does,” writes Lauret Savoy ’81 in her new memoir, Trace: Memory, History, Race, and the American Landscape, a finalist for the 2016 PEN Open Book Award and nominee for a Pushcart Prize.
This is how Savoy, a professor of environmental studies and geology at Mount Holyoke College, describes the beloved map she’s carried for years — a large, “creased, taped, and re-taped” roll she’s unfurled on every cross-country trip since Princeton, “since that day in college when Professor Judson handed out copies to his geomorphology class.”
Savoy’s map, as she recalls in Trace’s fifth chapter, “What’s in a Name,” is a hand-drawn and inked copy by “master cartographer-artist” Erwin Raisz. It’s also something she “reads” — which suggests that Savoy sees her map as something more than the shaded, textured terrain of “physiographic landforms”; her map, like Trace, is a text.
The Tab. | Web Story. | February 28, 2016.
Barefaced and Beautiful — what a concept. On Monday, in conjunction with National Eating Disorders Awareness Week (#NEDAwareness), the Renfrew Center Foundation is asking women to go “make-up free” for a day — something that might seem like no big deal. But there’s a small catch. The Renfrew Center, which is based in Philadelphia and has treated more than 65,000 women with eating disorders in its 30-year history, is asking women to take one more step: to post a make-up free, “untouched” selfie, and to share it with the world, using the the hashtag #barefacedbeauty.
According to this campaign, girls who decide to go with this “no-makeup look” are making a big statement. But is this a radical idea, really? And is this a new thing?
If this barefaced and beautiful idea sounds familiar, it’s because — well, it kind of is. This is the fifth year of Renfrew’s annual Barefaced and Beautiful campaign. Even former Princeton Prof. Melissa Harris-Perry posted her own selfie sans make-up on MSNBC, in a piece titled “The Naked Truth About Body Image.”
Princeton Alumni Weekly. | Web Story. | February 24, 2016.
The pair met at Theatre Intime and the Princeton Triangle Club in the fall of 2003.
“Triangle is a pre-professional kind of experience,” said Fornarola before a Thursday night performance of Straight in New York. “It’s as close to what it’s like to do a show here as I imagine most people could have in college.
“You’ve got a creative team. You’ve got investors that you present a show to, and they give you feedback. You’ve got audiences to think about. It’s a big budget show on a big stage. The chance to do that twice a year is second to none.”
Princeton Alumni Weekly. | Web Story. | January 27, 2016.
Nushelle de Silva ’11 grew up in Sri Lanka. In 1983, before she was born, the country erupted in what would be a 25-year civil war.
“My parents, who were fairly young at the time, saw the horrific violence that erupted on the streets,” she says. Then, she pauses. “I don’t want to provide details that run the risk of flattening what was a very complex conflict.”
Sri Lanka is a country that de Silva’s parents left and returned to — despite the civil war. After a stint in Sydney, Australia, where Nushelle was born, the family moved to Colombo, the southwestern capital, when she was 7.
In 2004, during a ceasefire, de Silva’s K-12 all-girls’ school visited a sister school in Jaffna, the country’s northernmost city. “It had a huge impact on me as a young girl,” she remembers.
Michael Lemonick has marked many seasons in Princeton. He was born and raised here. He’s watched the winter turn to spring year after year. And when he talks about the weather, it’s not small talk.
For three decades, Lemonick has been one of the nation’s eminent science writers, notably for Time Magazine, for which he wrote more than 50 cover stories. In November, he became the opinion editor at Scientific American. And in between, he spent seven years as the senior science writer at Climate Central, the Palmer Square-based nonprofit, nonpartisan research and media organization that employs climate scientists, researchers, fellows, and journalists.
Lemonick knows it’s been a warmer winter. But, he says, that doesn’t mean we should assume this year’s milder temperatures are due to climate change — especially since last year’s winter was quite cold.
“The fact that it’s warmer this year than last year? No. That has nothing to do with climate change,” he says. “The fact that, on average, it’s warmer in every state in the winter than it was in 1900, and that it’s been steadily rising? Yes, that has everything to do with climate change.”
Princeton Alumni Weekly. | Web Story. | December 16, 2015.
On Dec. 7, in front of a full-house audience of star-struck undergraduates and artsy locals, David Zabel ’88 spoke from a stage that supported the early days of his career — literally. It was at 185 Nassau, the longtime home of the arts at Princeton, that he spent hours and hours at late-night rehearsals and intensive writing workshops.
Once he discovered the theater at Princeton, Zabel said, his other interests (history, for example) quietly faded away. It snapped his future into focus.
“I was interested in a bunch of different things,” he said. “It was just theater that embraced me — earliest and most fully.”
Zabel is now an award-winning television writer, producer, and director. He wrote more than 45 episodes of ER, the medical series on NBC. He was the showrunner of ER for the program’s final five years, and he was also the showrunner and executive producer of Detroit 1-8-7 and Betrayal (both on ABC).
Princeton Alumni Weekly. | Web Story. | November 18, 2015.
Outside Daniel Velasco ’13’s classroom window at the 21st Century Charter School in Gary, Ind., stands an abandoned building with boarded up windows. But the view doesn’t bother Velasco — his focus is on his students, not his surroundings.
“I absolutely love all of my students, even those that make me want to pull my hair out,” Velasco said with a chuckle. “The greatest lesson I have learned from them is patience.”
This is Velasco’s third year at the charter school. During his first two, he taught full time as a Teach for America fellow. Velasco taught AP United States history, AP world history, economics, government, and world history. He has also tried to build relationships with his students, and to connect with them as a mentor.
“When I teach my kids, stay after school with them, and host tutoring sessions during breaks, I think about the teachers that did that for me,” he said.
On a windy night in September, Tracy K. Smith — cloaked in an elegant gray frock that was wrapped in a mysteriously tidy way, as if by magic — was the picture of a professor. A sea of eager undergraduates set their phones to “silent” and tucked their pea coats, book bags and pumpkin spice lattes under their seats. Alone in the front row, Smith sat quietly, listened intently. And then, as if lit by a lamp from within, she warmed up, smiled and walked to the podium.
Smith, a Pulitzer Prize-winning poet, memoirist, and professor of creative writing at Princeton University, had been invited to be the keynote speaker for the Princeton University Women’s Mentorship Program’s annual kick-off event. Under the gothic chandeliers of Mathey College’s Common Room, Smith unfolded her notes and began.
“In my first years as a teacher,” Smith said from the podium, “I wanted to feel solidarity with my students. So, I completed the assignments I gave them. I wrote what they wrote.”
Princeton Alumni Weekly. | Web Story. | October 28, 2015.
In September, John Oakes ’83, a veteran book publisher based in New York, returned to the Princeton campus for “Careers Beyond Wall Street,” a panel sponsored by Princeton Progressives. He described a shrinking industry that is, well, still stuck in the Stone Age.
“I think going into book publishing — certainly the traditional side of it — is tantamount to apprenticing yourself to a potter. Or a stone carver,” he said.
Book publishing is “quaint, time-consuming, frustrating, and occasionally thrilling,” he said — and it’s in the midst of a massive transformation.
As the co-publisher at OR Books, an independent press that sells e-books and paperback books direct to readers, and prints on demand, Oakes is shaping that transformation, one book at a time. In the coming year, Oakes also plans to re-launch The Evergreen Review, a groundbreaking literary magazine, with Editor-in-Chief Dale Peck.
Web: September 16, 2015. Print: October 21, 2015.
Meru, a Sundance Audience Award-winning white-knuckler of a documentary, follows three elite mountain climbers on their quest to conquer the 21,000-foot summit of Mount Meru, the most technically difficult peak in the Himalayas. It’s a death-defying expedition into sub-zero temperatures that involves extraordinary risks.
But the mission that climbers Conrad Anker, Renan Ozturk, and Jimmy Chin share is not only physically grueling; it’s emotional. Meru tests their friendship, and their relationships with their families back home.
No one knows this better than Elizabeth Chai Vasarhelyi ’00, who co-directed and co-produced the film with Chin. The directors fell in love through the making of Meru, and they married in 2013. Now, they split their time between the Upper East Side of New York City and the big blue skies of Jackson Hole, Wyo.
Princeton Alumni Weekly. | Web Story. | September 30, 2015.
Allegra “Lovejoy” Wiprud ’14 gets emotional when she recalls her first land stewardship trip at the D&R Greenway Land Trust, an 18,000-acre land preservation and conservation nonprofit. It was an invasive species removal job in Hopewell, N.J. That day, the dangerous plant that her team tracked down, cut back, and destroyed — the climbing growth that covered, choked, and threatened to kill a tree — was English ivy (Hedera helix).
Perched on a picnic table outside the Johnson Education Center, a historic barn overlooking Greenway Meadows, Wiprud mimes how she removed the ivy, grabbing the vine with her hands as if it were a snake coiled around her neck. By clearing the ivy away, she says, “We can give the tree its life back.”
Ivy might look quintessentially Princeton, but as Wiprud is learning, the non-native plant climbs and grows so fast that it smothers other plants and starves trees of sunlight.
Princeton Alumni Weekly. | Web Story. | August 26, 2015.
Patrick Ryan ’68 doesn’t do “art speak.” But he does know how to command the stage at an auction, rattling off antiques and art at break-neck speed to the highest bidder. Last Saturday, at the historic Benjamin Temple house and dairy farm in Ewing, N.J., where he was born and raised, Ryan auctioned off more than 80 items in 2 1/2 hours under a blazing hot sun — all for charity, to support the Ewing Township Historic Preservation Society.
Ryan has led a life of talking fast and moving faster. A long-time art collector and gallery owner, Ryan is just as comfortable in overalls and work boots as in seersucker shorts and a polo shirt.
He reckons he somehow “inherited the Irish gypsy gene,” a drive that rattled against the quiet rituals of his father’s 166-acre dairy farm: rising at 4:30 a.m. to milk 50 cows, twice per day. “The cows don’t care if it’s Christmas,” he remembers.
Princeton Alumni Weekly. | Web Story. | August 12, 2015.
Gavin Black ’79 has devoted his entire adult life to studying, performing, teaching, and recording 17th- and 18th-century keyboard music. But he knows that studying Baroque music on antique instruments isn’t an easy sell.
“The harpsichord is not remotely as popular as the piano,” he laughs from a bench at the Princeton Early Keyboard Center, the non-profit music studio he founded in 2001. It offers harpsichord, clavichord, and organ lessons for students, composers, and group classes.
Black discovered the organ and harpsichord at age 14, after a stint taking piano lessons left him curious about Baroque music.
As a freshman at Princeton, he would practice the organ alone in the vast and empty University Chapel, lit only by moonlight, courtesy of a special access key.
Megan Connor is a budding film buff. She's headed to the New York Film Academy this fall, and she's also a member of the nonprofit Princeton Garden Theatre on Nassau Street. She believes in movies. Even older ones. But she’s not convinced that the classics have any bite left — even Jaws.
“Jaws isn’t going to be scarier on the big screen — it’s like 40 years old!” Connor, 18, rolled her eyes with a playful smirk in the lobby of the Garden Theatre on June 25. As a Millennial, Connor was raised on easy, 24/7 access to small screen entertainment. At the Garden Theatre, she's learning to love old movies — but with a filter of ironic nostalgia, because "classic" is cool, and "vintage" is hip.
Planet Princeton. | Web Story. | July 23, 2015.
“It’s a popular venue. You just gotta sing clearly for the grandmas in the back.”
In the balcony of the Nederlander Theater on 208 W. 41st St. in New York City, after a Saturday preview matinée, Michael Dean Morgan talks easily over the clatter of mic checks, an active orchestra pit, and a tour below. Even the noise of a yodeling voice warming up backstage doesn’t faze him.
Print + Digital Reporting
The Princeton Progressive. | Web Story. | April 23, 2007.
“The first problem is failure to see the people,” David K. Shipler announces early in his book The Working Poor: Invisible in America (published by Alfred A. Knopf, 2004).
In a move unusual for liberal tomes of its ilk, it actually proposes solutions to the problem of poverty. Shipler fearlessly calls for us to look at what the “working poor” are, give some thought to it, and choose a term that’s more appropriate.
On his title, Shipler claims: “Working poor should be an oxymoron. Nobody who works hard should be poor in America.”
Daily Princetonian. | Print and Web Story. | November 9, 2006.
As I flip out a pair of jeans from the dryer, a soggy piece of plastic falls to the floor. The letter "Z" was barely visible in a twisted scrawl and what used to be two "O"s now crumpled into a shape similar to the squared-off rims of a hipster's glasses. This is, or rather was, my membership card to my hometown zoo. Warped and jaded, the card hasn't survived a spin cycle, and replacing it won't be easy.
A quick Google search, and I'm on my way: Catskill Game Farm. "Finally, something that will remind me of home," I thought. In addition to the average farm fare of goats and sheep, though, "exotic" animals are also featured: crocodiles, snakes, zebras, giraffes. "2000 animals in 150 different species," a blurb boasts. But an Aug. 4 article warns that the zoo will soon close.
Daily Princetonian. | Print and Web Story. | October 19, 2006.
As an undergraduate, Sally Frank '80 took politics to the street, campaigning door-to-door for Democratic candidates. Her political work also extended to a different sort of Street.
During her sophomore and junior years, Frank translated her personal Bicker experiences to a legal suit citing sex-based discrimination against three of Princeton's eating clubs: Ivy Club, Tiger Inn and University Cottage Club. T.I. was the last to concede, and did so in 1992 only after the U.S. Supreme Court twice refused to hear the case. Cottage and Ivy allowed women to join in 1986 and 1990, respectively.
Frank was also active in more traditional politics. She worked for the College Democrats in the presidential election of '76, supporting Jimmy Carter's campaign. She remembers "going to the Jerry Ford rally and heckling," and even met one of Carter's sons.
Daily Princetonian. | Print and Web Story. | October 12, 2006.
We all remember the butterfly ballots, the hanging chads. The "2000 election debacle," as J. Alex Halderman GS calls it, filled the headlines with controversy.
But for this Ph.D. candidate in the computer science department, working with fellow graduate student Ariel Feldman under computer science professor Ed Felten, it inspired a study that might just change the direction of midterm elections this year. The results of this study caused an uproar when they were released in September, and these two students show no signs of slowing down.
"We were motivated by the belief that computer systems that play such an important role in our democracy should be subjected to independent, expert security analysis," Feldman said.
Daily Princetonian. | Print and Web Story. | October 5, 2006.
Most of the time, the word "race" is the precursor to an awkward pause. It takes a rare student like Lester Mackey '07 to get beyond that discomfort and delve into the meat of the issue.
As a senior staff member of The Prism, the only magazine on campus focusing on "diversity," Mackey finds himself with a unique forum. Over his three years at Princeton, though, he has come to realize that it's no easy task.
With the tag "Dialogue. Diversity. Difference...," The Prism is re-surging this fall in large part due to Mackey's brainstorming sessions with editor Aita Amaize '07 this past summer.
Mackey, who is black, said he thought about race "not much at all" during his adolescence. Yet, at his public high school in Long Island, Mackey said "segregation by geography" based on "patches of black, Hispanic, and white communities" created a "very interesting mix, both racially and economically."
The move to Princeton, Mackey admits, was a bit of a culture shock.
Imagine Magazine. | Print Story. | John Hopkins University. Volume 12 No. 5, May/June 2005.
One Tuesday night in October 2003, I walked into a downtown Des Moines coffee shop with plans for homework and tea. Settling with an AP Music Theory workbook at a dinky table, my ears caught a shout from a microphone ten feet away.
My head shot up in surprise, and I saw that the sound came from a woman on stage. Her voice bent backward, twisted, then broke into a swift riff of sound. With a visage like a wrung towel, she sighed and contorted her body through gesticulations, her arms winding like twin serpents to the rhythm of a rant. Her voice dropped slowly and slipped back into the coffee shop white noise. With a small nod, she stepped off the stage, returning to the 30 tiny tables filled with spectators — myself now included.
Allured by the novel wordplay, I watched the show with big ears and a goofy grin. An MC took the stage and thanked the poet. When the MC asked the audience to rate the poem, five audience members lifted dry-erase scoreboards into the air, the crowd cheering at three perfect 10s.